Showing posts with label Hogarth. Show all posts
Showing posts with label Hogarth. Show all posts

Wednesday, 14 December 2011

Advent Calender - Day 14



This is one of Hogarth's 'Four Times of Day' series, namely that of 'Morning' painted in 1736, I selected this one because the cold nature of the scene seems to eminate off the page towards the viewer.

This series is 4 paintings and engravings is the slightly less well known of Hogarth's moralising series which included also the Harlot's progress, the Rake's Progress. They tended to poke fun at London Society. They were also produced as engravings in 1738, which allowed for a wide dissemination of the image throughout the city.

In this image we see a syphilis ridden lady in the courtyard of Covent Garden. A site which now looks like this and has a very different atmosphere!

The lady stands outside a notorious 'coffee-house' which had a reputation for drinking and prostitutes, essentially a far cry from Laudree which now occupies the space. We are shown the revellers from the night before spilling out of the coffee-house having just engaged in a brawl. The day is clearly bitterly cold, we see icicles hanging off the roof, cold figures hudle around a blazing fire while the footboy attending the lady seems to perceptably shiver.

The lady on the other hand stands impassive to both the cold and the lewd behaviour going on behind her eyes. She appears to hold no sympathy for the plight of the frozen begger at her feet.

Here are the rest of the paintings.


Hogarth Four Times of Day:  Noon


 Hogarth Four Times of Day: Evening


Hogarth Four Times of Day: Night

These images collectively give us an interesting image of London's past (all be it a very satirical one).

There is so much more to say and see in the Hogarth Morning image so I encourage you to take a closer look on: http://upload.wikimedia.org/wikipedia/en/4/4a/Hogarth%27s_Morning.jpg

Try and spot the:
  •  The syphilis spots
  •  The wig being thrown from the tavern
  •  The man trying to cop a feel
  •  The carefully placed footprints of the lady
If you cant seem them in the painting (the wig is particularlly tricky) then take a look at the engraving: http://upload.wikimedia.org/wikipedia/commons/d/dc/FourTimesMorning.jpg

Have fun!!!

Tuesday, 15 November 2011

The First Actresses

The First Actresses: Nell Gwyn to Sarah Siddons 20th October 2011- 8th January 2012 at the National Portrait Gallery. Adults - £11 Concessions - £9
While this exhibition may not pack the clout of this years blockbusters such as the Leonardo or the Degas it is equally unmissable. With its own helping of star names including Hogarth, Gainsborough and Reynolds there is plenty to engage the visitor. I went with my father last Saturday and was shocked at the peaceful atmosphere of the exhibition, which enabled us to get up comparatively close to the works on display. A luxury that was particularly appreciated when it allowed a close viewing of the Hogarth print ‘The Strolling Players’ which gives the opportunity to revel in the intricate satirical details always to be expected in a Hogarth.
 Hogarth The Strolling Players 1738
In our day and age the Hollywood actress is revered given an almost sacred status however this exhibition charts the seedy roots of the profession in the late 17th and 18th centuries. The erotic tones of the portraits of Nell Gwyn the Kings mistress are plain for all to see.

Simon Verelst Nell Gwyn c.1680 and, right, c.1680-5

However the actresses inclusion in the paintings some of which (particularly those in the third room) would have graced the walls of the Royal Academy demonstrates the elevated status of these women and to some extent a level of emancipation from their traditional roles. As well as allowing the painter to experiment with less conventional poses and types.
A particular favourite of mine which encapsulates this sense of experimentation and fun is The Three Witches from Macbeth by David Gardner 1775. Which includes portraits of various prominent women including the influential and fashionable Duchess of Devonshire.

David Gardner The Three Witches from Macbeth 1775
Should the exhibition merely whet your appetite then there is its contemporary counterpart also at the National Portrait Gallery. This is in rooms 41 and 41a and is a free exhibition. There is even a very tempting Catalogue with good quality images and some interesting articles.