The American artist Henry Mosler's The Christmas Tree c. 1916
Monday, 2 December 2013
Sunday, 1 December 2013
Advent Calender 2013: Day 1
I really enjoyed doing an advent calender the year before last so I thought I would treat you and myself to another one this year.
Just roll over the number to open your first advent window.

The Gates of Honour under snow The Fitzwilliam Museum William Nicholson
Just roll over the number to open your first advent window.
The Gates of Honour under snow The Fitzwilliam Museum William Nicholson
Poetic Pairings: December
Homesickness 1940 René Magritte Galerie Isy Bracot, Brussels
Home Thoughts, from Abroad
O to be in England
Now that April's there,
And whoever wakes in England
Sees, some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm-tree bole are in tiny leaf,
While the chaffinch sings on the orchard bough
In England - now!
And after April, when May follows,
And the whitethroat builds, and all the swallows!
Hark, where my blossom'd pear-tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dewdrops - at the bent spray's edge -
That's the wise thrush; he sings each song twice over
Lest you should think he never could recapture
The first fine careless rapture!
And though the fields look rough with hoary dew,
All will be gay when noontide wakes anew
The buttercups, the little children's dower
- Far brighter than this gaudy melon-flower!
Robert Browning
Wednesday, 20 November 2013
Nika Neelova
This Monday I spent the day invigilating for the winning entry of the historic portion of the British Society of Sculptors Sculpture Shock award.
The competition comprises three elements, subterranean, ambulatory and historic and encourages the artists to devise sculptures for spaces we would not usually encounter contemporary sculpture.
Nika Neelova was the winner of the historic award and her work was installed temporarily on Thursday 14th in the church of the Holy Trinity just off Sloane Square. Monday was the last day of the exhibition.
The sculpture is entitled North Taurids Following the Meteor Shower. It was located on the north side of the church in front of the Lady Chapel. The main part of the sculpture is on wooden boards in the centre of the space and then there are several other pieces scattered around. The polyhedra shapes are created by pouring different materials into wooden moulds, (these moulds are also included in the work complete with the graffiti from the desks the wood originated from). These materials include concrete and wax either alone or mixed with other materials such as marble dust to evoke the impression of stone and crystals one of the things that inspired the artist.
The work interacts with the church space without imposing upon it. Nika was struck by the variety of geometrical forms used throughout the beautiful arts and crafts church which prompted her to look at sacred geometry and gave her the inspiration for the form of her work. As well as connecting the work symbolically with the site there is an aesthetic link. The concrete ties in with the vast columns supporting the roof while the wax looks like marble and granite, materials used throughout the rest of the churches ornamentation and furnishing.
The sculpture really came into it's own in the evening when the dramatic lighting cast strong and interesting shadows across the work. It also highlighted the translucency of the wax polyhedra which looked really effective and beautiful.
As well as drawing links with the art and architecture of the surrounding church the sculpture reminds viewers of all manner of things, crystals, meteors, an architectural dig, the pyramids of Egypt. There is lots to be seen in this at first sight simple work and encouraged me to look at the rest of this intriguing artist's body of work. If you are inspired to take a look too click here.
The competition comprises three elements, subterranean, ambulatory and historic and encourages the artists to devise sculptures for spaces we would not usually encounter contemporary sculpture.
Nika Neelova was the winner of the historic award and her work was installed temporarily on Thursday 14th in the church of the Holy Trinity just off Sloane Square. Monday was the last day of the exhibition.
The sculpture is entitled North Taurids Following the Meteor Shower. It was located on the north side of the church in front of the Lady Chapel. The main part of the sculpture is on wooden boards in the centre of the space and then there are several other pieces scattered around. The polyhedra shapes are created by pouring different materials into wooden moulds, (these moulds are also included in the work complete with the graffiti from the desks the wood originated from). These materials include concrete and wax either alone or mixed with other materials such as marble dust to evoke the impression of stone and crystals one of the things that inspired the artist.
The work interacts with the church space without imposing upon it. Nika was struck by the variety of geometrical forms used throughout the beautiful arts and crafts church which prompted her to look at sacred geometry and gave her the inspiration for the form of her work. As well as connecting the work symbolically with the site there is an aesthetic link. The concrete ties in with the vast columns supporting the roof while the wax looks like marble and granite, materials used throughout the rest of the churches ornamentation and furnishing.
The sculpture really came into it's own in the evening when the dramatic lighting cast strong and interesting shadows across the work. It also highlighted the translucency of the wax polyhedra which looked really effective and beautiful.
As well as drawing links with the art and architecture of the surrounding church the sculpture reminds viewers of all manner of things, crystals, meteors, an architectural dig, the pyramids of Egypt. There is lots to be seen in this at first sight simple work and encouraged me to look at the rest of this intriguing artist's body of work. If you are inspired to take a look too click here.
Tuesday, 12 November 2013
Xu Bing: Travelling to the Wonderland
On one of the many grey and rainy afternoons so far this month I took a little trip to the V&A to visit the new installation in the Italianate courtyard. It is a piece by the Chinese artist Xu Bing entitled Travelling to the Wonderland.
Initially I was underwhelmed, the grey sky and light drizzle didn't set it off to the best effect and from a distance the work didn't have much impact. However, as soon as you get nearer to the work, walking round it, taking in the details and exploring all of the different aspects it pulls you in and is reluctant to let go.
The work is inspired by a Chinese fable by Tao Qian about an idealistic world where the inhabitants live unaware of the outside world. This explains why the installation feels so much more effective when you get closer to it. The work is arranged in a circle and from the outside of the circle you have to come in close to the work and peer inside of the ring of stones. Evoking the message of an enclosed and exclusive world that we can only seek to see and understand.
When you do get close enough to peer into this world there is plenty to discover. Interspersed among the rocks collected from around China are a whole range of ceramic houses, figures and animals.
The work evokes the incredible diversity of the incredible country of China including rocks from around the country, branches from a number of different plants and ceramic models of traditional buildings from across history.
The installation also includes a fusion of modern and traditional materials such as the smoke machines and the Liquid Crystal screens build into some of the houses. Such as the one in the video below where we see cartoon characters having what looks like a skype date. This fusion of old and new is a fitting metaphor for modern China.
If you are visiting with children then you could even set them a bit of a treasure hunt.
1. Find a fish
2. Find a drowned house
3. Find a bridge
4. Find a zebra
I will definitely be returning one evening to see the installation by night as it looks stunning with the reflections off the water, the smoke and the dramatic lighting.
Enjoy your trip to Wonderland.
Initially I was underwhelmed, the grey sky and light drizzle didn't set it off to the best effect and from a distance the work didn't have much impact. However, as soon as you get nearer to the work, walking round it, taking in the details and exploring all of the different aspects it pulls you in and is reluctant to let go.
The work is inspired by a Chinese fable by Tao Qian about an idealistic world where the inhabitants live unaware of the outside world. This explains why the installation feels so much more effective when you get closer to it. The work is arranged in a circle and from the outside of the circle you have to come in close to the work and peer inside of the ring of stones. Evoking the message of an enclosed and exclusive world that we can only seek to see and understand.
When you do get close enough to peer into this world there is plenty to discover. Interspersed among the rocks collected from around China are a whole range of ceramic houses, figures and animals.
The work evokes the incredible diversity of the incredible country of China including rocks from around the country, branches from a number of different plants and ceramic models of traditional buildings from across history.
The installation also includes a fusion of modern and traditional materials such as the smoke machines and the Liquid Crystal screens build into some of the houses. Such as the one in the video below where we see cartoon characters having what looks like a skype date. This fusion of old and new is a fitting metaphor for modern China.
If you are visiting with children then you could even set them a bit of a treasure hunt.
1. Find a fish
2. Find a drowned house
3. Find a bridge
4. Find a zebra
I will definitely be returning one evening to see the installation by night as it looks stunning with the reflections off the water, the smoke and the dramatic lighting.
Enjoy your trip to Wonderland.
Monday, 11 November 2013
Poetic Pairings: November
Thou Shalt not Steal John Singer Sargent 1918 Imperial War Museum
A Child's Prayer
For Morn, my dome of blue,
For Meadows, green and gay,
And Birds who love the twilight of the leaves,
Let Jesus keep my joyful when I pray.
For the big Bees that hum
And hide in bells of flowers;
For the winding roads that come
To evening's holy door,
May Jesus bring me grateful to his arms,
And guard my innocence for evermore.
Siegfried Sassoon
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